#Piano tuner los angeles lieberman how to#

Many times this involves taking care of overdue maintenance, particularly action regulation and voicing (adjusting the tone of the piano). I believe I am known for getting the best out of a particular instrument. I do not do refinishing that is an art best left to others! When an instrument is in need of major restoration, it comes into my shop for action replacement, soundboard and bridge repair, pin block replacement, restringing and damper replacement. I also perform all aspects of action regulation (adjustment), voicing and minor repair, keeping my clients’ pianos clean along the way. I am a company of one, and it feels a little uncomfortable to keep talking about myself! I tune and maintain pianos in both home and performance settings, the latter including concert halls, recording studios and churches. We’d love to hear more about your work and what you are currently focused on. I chose to leave in 2017, just wanting to slow down a bit and have more control over my own schedule. I learned to work with world-class artists of every genre, sometimes sticking my neck out in the process! It was the job of a lifetime, and I could not be more grateful for the thirty years I was honored to spend there. There I maintained three concert grands (including rebuilding them as needed) and tuned for all the events that took place in the hall. In 1987, I was at the right place at the right time and was hired to become the House Piano Technician at UCLA’s Royce Hall. I was fortunate to have as mentor/teachers two highly respected local piano technicians, and I worked with them both for several years. Experience honed both skill and character!įrom the beginning, I knew I wanted to do concert work, and once I moved to the Los Angeles area, I was able to pursue that dream.

#Piano tuner los angeles lieberman how to#

I also learned how to work successfully with all kinds of clients this is hugely important in our business. It was very clear I would need to let my work speak for itself, and I worked hard to learn all the mechanical skills needed to become an excellent piano tech. There were far fewer women involved in piano work then, and my first mentor asked me “if I could take a lot of guff”. When I began apprenticing, I was twenty-three years old… cute, blonde and articulate. Smooth is probably not the right word to describe it! I do feel very blessed as if God opened the right doors for me every step along the way. Overall, has it been relatively smooth? If not, what were some of the struggles along the way? Sadly, the marriage didn’t survive, but the career has! I continue to enjoy piano work to this day, nearly forty years after I first got my start. I was able to begin earning a real living within about two years, thanks to wonderful mentors and colleagues. Fortunately, I seemed to have the right gifts and talents, and becoming a piano technician/rebuilder became my main focus. Realizing I would need to support us for several years, I decided to try working on pianos. Midway through college, I married, and my husband decided to work toward becoming a therapist in graduate school.

In college, I pursued being a Piano Performance Major for about a year and a half, then came to my senses! I didn’t want to become yet another starving musician, so I got a BA in Psychology (which would later prove helpful). I started lessons when I was six and played all through high school, enjoying both classical and jazz. So, let’s start at the beginning and we can move on from there.

Thanks for sharing your story with us Teri. Today we’d like to introduce you to Teri Meredyth.